Birgit Richard (b.1962, Muelheim/Ruhr, Germany) ::: Article

Art theorist, culturologist, art critic. Published a number of monographs covering different aspects of contemporary art and new technologies, including such as "Todesbilder. Kunst, Subkultur, Medien" (Munich, 1995), "Internet fur Kunsthistoriker" (together with P.Tiedemann, Darmstadt, 1999), "Youth Countercultures. Subversive Style und Guerilla Consumption" (New York, 2004), "Encyclopedia of Youth Cultures" (in collaboration with R.Steinberg, New York, 2004). Author of research social projects ordered by different ministries and departments of Germany: "The Construction of Female Images of Representation in Computer Games" (HMWK, 1999-2001), "Uniform in Motion. The Process of Uniformity of Body and Clothing" (Institute of Cultural Anthropology, Dortmund University, 2002-05). Guest editor of various editions on contemporary art, incl. "Kunstforum International" (since 1998). Within the frameworks of "Kunstforum International" B.Richard together with S.Druehl prepared two issues dealing with the problem of genetics in art - "Klone und Mutanten" (157/2001), "Der erfundene Zwilling" (158/2002). Participated in different international symposiums and festivals of contemporary art and new technologies, incl. Ars Electronica (Advisory Board, Linz, 1998-2001), DEAF (Rotterdam), AERA (New York, San Diego, New Orleans), ASA (Chicago), ISEA (Paris, Bern, Vienna, Zurich), EMAF (Osnabrueck) and others. Delivers lectures; teaches the new technologies course at the Goethe University (Frankfurt, Germany). Author of numerous articles and essays on art history, contemporary art, new technologies and different problems of culturology.


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I. LABORATORY: science and technology

Svetlana Borinskaya. Genomics and Biotechnology: Science at the Beginning of the Third Millennium.

Mikhail Gelfand. Computational Genomics: from the Wet Lab to Computer and Back.

Irina Grigorjan, Vsevolod Makeev. Biochips and Industrial Biology.

Valery Shumakov, Alexander Tonevitsky. Xenotransplantation as a Scientific and Ethic Problem.

Abraham Iojrish. Legal Aspects of Gene Engineering.

Pavel Tishchenko. Genomics: New Science in the New Cultural Situation.
II. FORUM: society and genomic culture

Eugene Thacker. Darwin's Waiting Room.

Critical Art Ensemble. The Promissory Rhetoric of Biotechnology in the Public Sphere.

SubRosa. Sex and Gender in the Biotech Century.

Ricardo Dominguez. Nano-Fest Destiny 3.0: Fragments from the Post-Biotech Era.

Birgit Richard. Clones and Doppelgangers. Multiplications and Reproductions of the Self in Film.

Sven Druehl. Chimaera Phylogeny: From Antiquity to the Present.
III. TOPOLOGY: from biopolitics to bioaesthetics

Boris Groys. Art in the Age of Biopolitics.

Stephen Wilson. Art and Science as Cultural Acts.

Melentie Pandilovski. On the Phenomenology of Consciousness, Technology, and Genetic Culture.

Roy Ascott. Interactive Art: Doorway to the Post-Biological Culture.
IV. INTERACTION CODE: artificial life

Mark Bedau. Artificial Life Illuminates Human Hyper-creativity.

Louis Bec. Artificial Life under Tension.

Alan Dorin. Virtual Animals in Virtual Environments.

Christa Sommerer, Laurent Mignonneau. The Application of Artificial Life to Interactive Computer Installations.
V. MODERN THEATRE: ars genetica

George Gessert. A History of Art Involving DNA.

Kathleen Rogers. The Imagination of Matter.

Brandon Ballengee. The Origins of Artificial Selection.

Marta de Menezes. The Laboratory as an Art Studio.

Adam Zaretsky. Workhorse Zoo Art and Bioethics Quiz.
VI. IMAGE TECHNOLOGY: ars chimaera

Joe Davis. Monsters, Maps, Signals and Codes.

David Kremers. The Delbruck Paradox. Version 3.0.

Eduardo Kac. GFP Bunny.

Dmitry Bulatov. Ars Chimaera.

Valery Podoroga. Rene Descartes and Ars Chimaera.
VII. METABOLA: tissue culture and art

Ionat Zurr. Complicating Notions of Life - Semi-Living Entities.

Oron Catts. Fragments of Designed Life - the Wet Palette of Tissue Engineering.

Dmitry Prigov. Speaking of Unutterable.

Wet art gallery





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