Sven Druehl (b.1968, Nassau/Lahn, Germany) ::: Article

Artist, critic, art historian. From 1991 to 1996 studied Fine Arts and Mathematics at the University of Essen (Germany). Held a number of solo exhibitions in Germany and abroad, incl. "Mut zur Lucke" (Kunsthaus, Essen, 1997), "So richtig slick sind nur die Anderen" (Gallery X, Duesseldorf, 1999), "Diskurstheorie" (Jurgen Kalthoff Gallery, Essen, 2001), "Remixes" (Fassbender Stevens Gallery, Chicago, 2002), "New Paintings" (Kunstraum Bruxelles, Brussels, 2002) and others. Also participated in several group international exhibitions in Hamburg, Frankfurt, Cologne, Dortmund, and Madrid. Author of numerous articles on art history, critical reviews and essays published in various magazines, catalogues and anthologies, incl. "Kunstforum International" (Ruppichteroth), "Padagogische Korrespondenz" (Wetzlar), "Kunst-Bulletin" (Zurich), "Schreibkraft" (Graz) and others. Among the problems he focuses on are transformation of body, and strategies of death representation in 20th century art. These problems were considered in his publications covering work of such artists as S.Wissel, A.Braun, Stelarc and others. Guest editor (with Prof. Dr. B.Richard) of the art magazine "Kunstforum International." Together with B. Richard made four issues focusing on the following problems: "Duration, Simultaneity, Real Time" (151/2000), "Choreography of Violence" (153/2001), "Transgenic Art. Clones and Mutants" (157/2001), "Transgenic Art. The Invented Twins" (158/2001). From 1997 to 1999 taught at the Essen University, Department of History. Since 1999 he has been professor at the Goethe University (Frankfurt/Main, Germany).






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CONTENTS:

I. LABORATORY: science and technology

Svetlana Borinskaya. Genomics and Biotechnology: Science at the Beginning of the Third Millennium.

Mikhail Gelfand. Computational Genomics: from the Wet Lab to Computer and Back.

Irina Grigorjan, Vsevolod Makeev. Biochips and Industrial Biology.

Valery Shumakov, Alexander Tonevitsky. Xenotransplantation as a Scientific and Ethic Problem.

Abraham Iojrish. Legal Aspects of Gene Engineering.

Pavel Tishchenko. Genomics: New Science in the New Cultural Situation.
II. FORUM: society and genomic culture

Eugene Thacker. Darwin's Waiting Room.

Critical Art Ensemble. The Promissory Rhetoric of Biotechnology in the Public Sphere.

SubRosa. Sex and Gender in the Biotech Century.

Ricardo Dominguez. Nano-Fest Destiny 3.0: Fragments from the Post-Biotech Era.

Birgit Richard. Clones and Doppelgangers. Multiplications and Reproductions of the Self in Film.

Sven Druehl. Chimaera Phylogeny: From Antiquity to the Present.
III. TOPOLOGY: from biopolitics to bioaesthetics

Boris Groys. Art in the Age of Biopolitics.

Stephen Wilson. Art and Science as Cultural Acts.

Melentie Pandilovski. On the Phenomenology of Consciousness, Technology, and Genetic Culture.

Roy Ascott. Interactive Art: Doorway to the Post-Biological Culture.
IV. INTERACTION CODE: artificial life

Mark Bedau. Artificial Life Illuminates Human Hyper-creativity.

Louis Bec. Artificial Life under Tension.

Alan Dorin. Virtual Animals in Virtual Environments.

Christa Sommerer, Laurent Mignonneau. The Application of Artificial Life to Interactive Computer Installations.
V. MODERN THEATRE: ars genetica

George Gessert. A History of Art Involving DNA.

Kathleen Rogers. The Imagination of Matter.

Brandon Ballengee. The Origins of Artificial Selection.

Marta de Menezes. The Laboratory as an Art Studio.

Adam Zaretsky. Workhorse Zoo Art and Bioethics Quiz.
VI. IMAGE TECHNOLOGY: ars chimaera

Joe Davis. Monsters, Maps, Signals and Codes.

David Kremers. The Delbruck Paradox. Version 3.0.

Eduardo Kac. GFP Bunny.

Dmitry Bulatov. Ars Chimaera.

Valery Podoroga. Rene Descartes and Ars Chimaera.
VII. METABOLA: tissue culture and art

Ionat Zurr. Complicating Notions of Life - Semi-Living Entities.

Oron Catts. Fragments of Designed Life - the Wet Palette of Tissue Engineering.
VIII. P.S.

Dmitry Prigov. Speaking of Unutterable.

Wet art gallery

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