Dmitry Bulatov (b.1968, Kaliningrad, Russia) ::: Article

Artist, curator. His research activities focus on different aspects of interdisciplinary art media (visual, lingua-acoustic, sci-art, biological, etc.). Author of several articles on contemporary art issues published in Russia and abroad, also of such books and anthologies as "Experimental poetry. Selected articles" (Malbork, 1996), "Point of View" (Olsztyn, 1998), "Homo Sonorus" (Kaliningrad, 2001). His artworks were shown at more than 100 exhibitions, among them are such as the International Art Fair "Art Manege'99 Eurasian Zone" (Moscow, 1999), "Bunker Poetico" (49 Venice Biennial, Venice, 2001), "Davaj! Russian Art Now" (Berlin-Vienna, 2002), "Pound-Project" (Berlin, 2003), and others. Participated in such fest-programs as the International Multimedia Art Festival (Odzaci, 1998), H2O-Festival (Oslo, 1999), First Aix Art Contemporary Festival (Aix, 1999), "Pro&Contra" (Москва, 2000), Polypoetry International (Maastricht, 2001), ХХIII International Film Festival (Moscow, 2001), "Contemporary Art in the Traditional Museum" (St. Petersburg, 2002), "New Tendencies in Literature and Art" (Russian Academy of Sciences, Moscow, 2003) and others. Joined international conferences on the issues of contemporary literature and art, delivered courses of lectures at various universities in Russia, Canada, the Netherlands, and Hong Kong. Laureate of the professional reward "Recognition" (1998), Booker prize diploma-winner for literature (short-list, 2000), scholarship holder of the Russian Professional Literary Men Union (2001). Organizer and curator of more than 20 international art projects. Since 1998 has been curator at the Kaliningrad Branch of the National Centre for Contemporary Art.






HOME    РУССКИЙ

How to purchase this book

COLOPHON

CONTENTS:

I. LABORATORY: science and technology

Svetlana Borinskaya. Genomics and Biotechnology: Science at the Beginning of the Third Millennium.

Mikhail Gelfand. Computational Genomics: from the Wet Lab to Computer and Back.

Irina Grigorjan, Vsevolod Makeev. Biochips and Industrial Biology.

Valery Shumakov, Alexander Tonevitsky. Xenotransplantation as a Scientific and Ethic Problem.

Abraham Iojrish. Legal Aspects of Gene Engineering.

Pavel Tishchenko. Genomics: New Science in the New Cultural Situation.
II. FORUM: society and genomic culture

Eugene Thacker. Darwin's Waiting Room.

Critical Art Ensemble. The Promissory Rhetoric of Biotechnology in the Public Sphere.

SubRosa. Sex and Gender in the Biotech Century.

Ricardo Dominguez. Nano-Fest Destiny 3.0: Fragments from the Post-Biotech Era.

Birgit Richard. Clones and Doppelgangers. Multiplications and Reproductions of the Self in Film.

Sven Druehl. Chimaera Phylogeny: From Antiquity to the Present.
III. TOPOLOGY: from biopolitics to bioaesthetics

Boris Groys. Art in the Age of Biopolitics.

Stephen Wilson. Art and Science as Cultural Acts.

Melentie Pandilovski. On the Phenomenology of Consciousness, Technology, and Genetic Culture.

Roy Ascott. Interactive Art: Doorway to the Post-Biological Culture.
IV. INTERACTION CODE: artificial life

Mark Bedau. Artificial Life Illuminates Human Hyper-creativity.

Louis Bec. Artificial Life under Tension.

Alan Dorin. Virtual Animals in Virtual Environments.

Christa Sommerer, Laurent Mignonneau. The Application of Artificial Life to Interactive Computer Installations.
V. MODERN THEATRE: ars genetica

George Gessert. A History of Art Involving DNA.

Kathleen Rogers. The Imagination of Matter.

Brandon Ballengee. The Origins of Artificial Selection.

Marta de Menezes. The Laboratory as an Art Studio.

Adam Zaretsky. Workhorse Zoo Art and Bioethics Quiz.
VI. IMAGE TECHNOLOGY: ars chimaera

Joe Davis. Monsters, Maps, Signals and Codes.

David Kremers. The Delbruck Paradox. Version 3.0.

Eduardo Kac. GFP Bunny.

Dmitry Bulatov. Ars Chimaera.

Valery Podoroga. Rene Descartes and Ars Chimaera.
VII. METABOLA: tissue culture and art

Ionat Zurr. Complicating Notions of Life - Semi-Living Entities.

Oron Catts. Fragments of Designed Life - the Wet Palette of Tissue Engineering.
VIII. P.S.

Dmitry Prigov. Speaking of Unutterable.

Wet art gallery

Biographies

Bibliography

Webliography

Glossary


© ncca kb. yevgeny palamarchuck | Jaybe.ru