Mark A. Bedau (b.1954, Hanover, New Hampshire) ::: Article

Philosopher, ALife theorist, critic. In 1985 graduated from the University of California at Berkley, PhD. His research work focuses on artificial life, and his philosophical approach to ALife is based on biological evolution. Author of such books and software as "Rudiments of Logic" (together with G.Myro, T.Monroe, Englewood: Prentice Hall, 1987), "Logic by Design: Exploring Formal Systems with Proof Designer" (with J.Moor, monograph and software for Apple Macintosh, 1989), "Venn" [Software for Apple Macintosh.] (with J.Moor, Ventura: Academic Courseware Exchange, repeatedly republished, 1989-1998), "Supple Adaptation: Emergent Thought Experiments about Evolution, Life, and Mind" (MIT Press, 2003). Editor of the magazine "Artificial Life" (MIT Press), president of the International Society for Artificial Life. Co-editor of the following miscellanies of international conferences' material on artificial life: "Artificial Life VII" (with J.McCaskill, N.Packard, S.Rasmussen) and "Artificial Life VIII" (with R.Standish, H.Abbass, Cambridge: MIT Press). Writings on the subject, incl. in German, French, Italian, published in various books and academic philosophical publications. Numerous publications in such magazines as "Midwest Studies in Philosophy", "The Journal of Philosophy", "Philosophy and Phenomenological Research", "Adaptive Behavior, Brain and Cognition", "Evolutionary Computation", "Leonardo", "Computational Economics" and many others. Took part in numerous international conferences and symposiums. He is professor at the Reed College, Department of Philosophy (Portland, Oregon, USA).


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I. LABORATORY: science and technology

Svetlana Borinskaya. Genomics and Biotechnology: Science at the Beginning of the Third Millennium.

Mikhail Gelfand. Computational Genomics: from the Wet Lab to Computer and Back.

Irina Grigorjan, Vsevolod Makeev. Biochips and Industrial Biology.

Valery Shumakov, Alexander Tonevitsky. Xenotransplantation as a Scientific and Ethic Problem.

Abraham Iojrish. Legal Aspects of Gene Engineering.

Pavel Tishchenko. Genomics: New Science in the New Cultural Situation.
II. FORUM: society and genomic culture

Eugene Thacker. Darwin's Waiting Room.

Critical Art Ensemble. The Promissory Rhetoric of Biotechnology in the Public Sphere.

SubRosa. Sex and Gender in the Biotech Century.

Ricardo Dominguez. Nano-Fest Destiny 3.0: Fragments from the Post-Biotech Era.

Birgit Richard. Clones and Doppelgangers. Multiplications and Reproductions of the Self in Film.

Sven Druehl. Chimaera Phylogeny: From Antiquity to the Present.
III. TOPOLOGY: from biopolitics to bioaesthetics

Boris Groys. Art in the Age of Biopolitics.

Stephen Wilson. Art and Science as Cultural Acts.

Melentie Pandilovski. On the Phenomenology of Consciousness, Technology, and Genetic Culture.

Roy Ascott. Interactive Art: Doorway to the Post-Biological Culture.
IV. INTERACTION CODE: artificial life

Mark Bedau. Artificial Life Illuminates Human Hyper-creativity.

Louis Bec. Artificial Life under Tension.

Alan Dorin. Virtual Animals in Virtual Environments.

Christa Sommerer, Laurent Mignonneau. The Application of Artificial Life to Interactive Computer Installations.
V. MODERN THEATRE: ars genetica

George Gessert. A History of Art Involving DNA.

Kathleen Rogers. The Imagination of Matter.

Brandon Ballengee. The Origins of Artificial Selection.

Marta de Menezes. The Laboratory as an Art Studio.

Adam Zaretsky. Workhorse Zoo Art and Bioethics Quiz.
VI. IMAGE TECHNOLOGY: ars chimaera

Joe Davis. Monsters, Maps, Signals and Codes.

David Kremers. The Delbruck Paradox. Version 3.0.

Eduardo Kac. GFP Bunny.

Dmitry Bulatov. Ars Chimaera.

Valery Podoroga. Rene Descartes and Ars Chimaera.
VII. METABOLA: tissue culture and art

Ionat Zurr. Complicating Notions of Life - Semi-Living Entities.

Oron Catts. Fragments of Designed Life - the Wet Palette of Tissue Engineering.

Dmitry Prigov. Speaking of Unutterable.

Wet art gallery





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