Kathleen Rogers (b.1962, Feltham, Middlesex, England) ::: Article

Artist. In 1985 obtained her MA degree in Experimental Media from the Slade School of Fine Art, the London University College. In her practical and theoretical work examines the coupling of consciousness, technology and the body. Her projects were presented at various contemporary art exhibitions in numerous galleries and museums, incl. the Central Space Gallery (London, 1990), the Exeter Memorial Museum (Exeter, 1991), the A Virtual Museum (Cleveland, 1995), the Institute of Contemporary Arts (London, 1996), the Centre for Contemporary Arts (Vilnius, 1998), the Millais Gallery (Southampton Institute, Southampton, 1999), the Kettles Yard Gallery (NOISE Project, Cambridge, 2000), the Lab (The Gateway Project, San Francisco, 2001) and many others; and also within the frameworks of "State of the Image" (Antwerp, Cultural Capital of Europe 93). Her video works appeared at such festivals as Ars Electronica (Linz), Femme Totalle (Dortmund), the European Media Art Festival (Osnabrueck), the New Visions Media Festival (Glasgow), the Video Fest (Berlin), Konzept Art von Frauen (Bremen), Video Positive (Liverpool), the Edinburgh Film Festival (Edinburgh) and others. Lectures and presentations given at different conferences and symposiums at such venues as the British Film Institute (London), the Royal College of Art (London), I.S.E.A. (Helsinki), the University of Wales (Newport), the Cambridge University (Cambridge), also at the French Ministry of Culture, (Paris) and "Documenta X" (Kassel). From 1993 to 1996 she was course director of Post Graduate Electronic Imaging at the DJCA (University of Dundee). She was lecturer in Experimental Digital Culture at the Surrey Institute of Art and Design (Fernham, 1996-2001) and is now senior lecturer in Time Based Art at the Department of Arts and Media.






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CONTENTS:

I. LABORATORY: science and technology

Svetlana Borinskaya. Genomics and Biotechnology: Science at the Beginning of the Third Millennium.

Mikhail Gelfand. Computational Genomics: from the Wet Lab to Computer and Back.

Irina Grigorjan, Vsevolod Makeev. Biochips and Industrial Biology.

Valery Shumakov, Alexander Tonevitsky. Xenotransplantation as a Scientific and Ethic Problem.

Abraham Iojrish. Legal Aspects of Gene Engineering.

Pavel Tishchenko. Genomics: New Science in the New Cultural Situation.
II. FORUM: society and genomic culture

Eugene Thacker. Darwin's Waiting Room.

Critical Art Ensemble. The Promissory Rhetoric of Biotechnology in the Public Sphere.

SubRosa. Sex and Gender in the Biotech Century.

Ricardo Dominguez. Nano-Fest Destiny 3.0: Fragments from the Post-Biotech Era.

Birgit Richard. Clones and Doppelgangers. Multiplications and Reproductions of the Self in Film.

Sven Druehl. Chimaera Phylogeny: From Antiquity to the Present.
III. TOPOLOGY: from biopolitics to bioaesthetics

Boris Groys. Art in the Age of Biopolitics.

Stephen Wilson. Art and Science as Cultural Acts.

Melentie Pandilovski. On the Phenomenology of Consciousness, Technology, and Genetic Culture.

Roy Ascott. Interactive Art: Doorway to the Post-Biological Culture.
IV. INTERACTION CODE: artificial life

Mark Bedau. Artificial Life Illuminates Human Hyper-creativity.

Louis Bec. Artificial Life under Tension.

Alan Dorin. Virtual Animals in Virtual Environments.

Christa Sommerer, Laurent Mignonneau. The Application of Artificial Life to Interactive Computer Installations.
V. MODERN THEATRE: ars genetica

George Gessert. A History of Art Involving DNA.

Kathleen Rogers. The Imagination of Matter.

Brandon Ballengee. The Origins of Artificial Selection.

Marta de Menezes. The Laboratory as an Art Studio.

Adam Zaretsky. Workhorse Zoo Art and Bioethics Quiz.
VI. IMAGE TECHNOLOGY: ars chimaera

Joe Davis. Monsters, Maps, Signals and Codes.

David Kremers. The Delbruck Paradox. Version 3.0.

Eduardo Kac. GFP Bunny.

Dmitry Bulatov. Ars Chimaera.

Valery Podoroga. Rene Descartes and Ars Chimaera.
VII. METABOLA: tissue culture and art

Ionat Zurr. Complicating Notions of Life - Semi-Living Entities.

Oron Catts. Fragments of Designed Life - the Wet Palette of Tissue Engineering.
VIII. P.S.

Dmitry Prigov. Speaking of Unutterable.

Wet art gallery

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